Founded in 1996 by laureates of the Conservatoire National Supérieur de Musique de Paris, the Quatuor Diotima has gone on to become one of the world’s most in-demand ensembles. The name reflects the musical double identity of the group: the word Diotima is a reference to German Romantisism – Friedrich Hölderlin gave the name to the love of his life in his novel Hyperion – while it is also a nod to the music of our time, recalling Luigi Nono’s work Fragmente-Stille, an Diotima.
The Quatuor Diotima is honoured to partner with several of today’s major composers, such as Helmut Lachenmann, Brian Ferneyhough and Toshio Hosokawa, while also regularly commissioning new works from a broad range of composers, such as Tristan Murail, Alberto Posadas, Gérard Pesson, Rebecca Saunders and Pascal Dusapin. While being staunchly dedicated towards contemporary classical music, the quartet is not limited exclusively to this repertoire. In programming major classical works alongside today’s new music, their concerts offer a fresh look at works by the great composers, in particular Bartók, Debussy and Ravel, the late quartets of Schubert and Beethoven, composers from the Viennese School, and also Janácek.
The Quatuor Diotima has performed widely on the international scene and at all of the major European festivals and concert series (such as at the Berlin Philharmonie; Berlin Konzerthaus; Reina Sofia, Madrid; Cité de la musique Paris; London’s Wigmore Hall and SouthBank Centre; the Vienna Konzerthaus, and so on). As well as touring regularly across the United States of America, Asia and South America, they are also artist-in-residence at Paris’s Théâtre des Bouffes du Nord from 2012 to 2016.
Their interpretations are regularly heralded by the international media, including in Germany (for their Concerto for Quartet and Orchestra by Schoenberg), in Spain, and not least in France, where their discography has been awarded five Diapasons d’or, of which two received the Diapasons d’or de l’année – for their recordings of works by Lachenmann/Nono in 2004 and works by American composers including Crumb, Reich and Barber, in 2011.
The critical and public success of the Quatuor Diotima ’s album of the Onslow Quartets which came out in 2009 on Naïve (including the Diapason d’or and Event of the Month in Diapason; Excepcional in Scherzo magazine) cemented the exclusive partnership between the ensemble and the record label, in a collaboration that has become long-term and hugely successful. In addition, upon the invitation of the Megadisc label, the quartet made a widely acclaimed recording of Pierre Boulez’s Livre pour quatuor révisé in 2015, which received ffff in Télérama and the Choc de l’année in Classica magazine.
In 2016, to celebrate 20 years since the quartet was formed, two recordings have been released: firstly, a boxset dedicated to the full repertoire for string quartet of the Viennese School of Music, and secondly the release of a new series of contemporary composer portraits. The first in the collection is dedicated to the works of Miroslav Srnka, to be followed by those of Gérard Pesson, Alberto Posadas and Enno Poppe in collaboration with WDR Kultur.
The upcoming season will be rich in engagements for the quartet, including the cycle of Beethoven-Schoenberg-Boulez at Muziekgebouw Amsterdam, concerts around the world premiere of Rebecca Saunders`new piece or string quartet (London Wigmore Hall, Stuttgart Eclat-Festival, Washington Library of Congress, Strasbourg Festival Musica und Rainy days Festival in Luxembourg) as well around the world premiere of Miroslav Srnka´s new piece for string quartet (Paris Philharmonie, Brüssel Beaux Arts, Heidelberger Frühling Streichquartett Festival).
Quatuor Diotima is looking forward to their debuts at Kammermusiksaal Elbphilharmonie, Schwetzinger Festspiele, Musiktage Badenweiler, Chamber Music Series of the Royal Liverpool Philharmonic Orchestra, Musikprotokoll Graz, Warsaw Autumn and Enescu Festival Bukarest.
International tours will take the quartet to Great Britain, Spain, Russia, the USA, Corea and Japan.
The long-lasting collaboration with Théâtre d’Orléans will also be continued in 2017 – 2018.
The Quatuor Diotima is supported by the DRAC and the Région Centre-Val de Loire, and regularly receives assistance from the Institut Français, Spedidam, Musique Nouvelle en Liberté, Fonds pour la Création musicale and from Adami, as well as from private sponsors.